If your women look like guys with boobs, or the reverse, hypersexualized fantasy characters, then you’re not ready. If your people look good only from one angle or you try to avoid feet or hands because they always look funny, then you’re not ready. If you can draw anime characters reasonably well but struggle with other styles or realism, then you’re not ready. And I mean REALLY draw – as in anything and everything. The most important thing you need to be a storyboard artist is the ability to draw. The ones that don’t hire me find someone else and I’m never the wiser. Directors and producers just find me on the web, like what they see, and then hire me. I’ve never formally applied for a storyboarding position, so I have no idea what it’s like to pursue employment in the traditional sense. STORYBOARD QUICK FORMAT F HOW TOHowever, this is not a tutorial on how to be hired as a storyboard artist or how to find a job at a studio. I know what they like and how to keep them happy. My client list includes The Discovery Channel, Animal Planet, Google, Intel, Oracle, and many lesser know but equally demanding companies. Just to get my street cred out-of-the-way, I’m a working professional storyboard artist. Now on to the tutorial.Ĥ:3 Four Up Storyboard Template (not true 4:3 but I used this one for years)Īnimatic Layered Photoshop Storyboard Template Storyboards Are Like Comics…Mostly For you, the most important thing is just to storyboard the script. Crude stick figures will work just as good for hashing out your ideas pre-production. If this is you, then ignore all the parts about being able to draw. However it also useful for beginning television and film makers just wanting to know the basics. This tutorial is aimed at people who want to storyboard professionally. First a Quick Note to Aspiring Producers and Film Makers
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